See the change before you make it.
The cut you have been thinking about for months, on your own face. Try it, sit with it, change your mind — then walk into the salon knowing exactly what you want.
For iPhone and iPad. Free to try.
Shaggy Pixie
Cropped short with a carved undercut, cat-eye sunglasses and a classic red lip.
Every lookbook is somebody else’s hair on somebody else’s head.
None of it tells you whether that bob suits your jaw, or whether going lighter works with your skin. You find that out in the chair — and then you live with it for six months.
The colour you keep talking yourself out of.
Black to platinum is nine levels and most of a personality. Copper, violet, three shades lighter than you have ever dared. These are the changes you talk yourself out of, because if it is wrong you are wrong for a year — so try every one of them on your own face first, and find the one that actually looks like you.
A hundred shades, the same chart your colourist works from — so the thing you ask for is the thing they mix.
Ask for it by name.
Not “short” or “blonde” — the thing you would actually say out loud. Veyra speaks your stylist’s language, so what you picture is what comes back.
Hair
86 cuts
The big chop, growing it out, or the fringe you have been circling for a year.
- Pixie
- French Bob
- Wolf Cut
- Butterfly
- Curtain Bangs
- Skin Fade
- French Crop
- Pompadour
- Knotless Braids
- Bantu Knots
- Twist Out
- Hollywood Waves
- and 74 more
Makeup
64 styles
The face you wear to work, and the one you wear to the wedding.
- Clean Girl
- Soft Glam
- Old Hollywood
- Douyin
- K-Beauty
- Winged Liner
- Cut Crease
- Classic Red
- Laminated
- Cat Lash
- and 54 more
Facial hair
27 styles
Find out whether you can carry it before you spend a month growing it.
- Heavy Stubble
- Van Dyke
- Circle Beard
- Balbo
- Garibaldi
- Ducktail
- Chevron
- Handlebar
- Mutton Chops
- and 18 more
Eyewear
24 frames
The pair you never try on, because trying them on in a shop feels ridiculous.
- Wayfarer
- Clubmaster
- Aviator
- Cat-Eye
- Browline
- Pantos
- Rimless
- Oversized
- and 16 more
The same book your stylist works from.
Every cut filed where a stylist would file it, and every shade on the chart a colourist mixes from. Pick from the book, or just describe what you want in your own words — it understands both.
Then watch it move.
A still shows you the front. What you want to know is how it sits when you turn your head, whether it swings when you walk, and what the back looks like — the part you only ever catch in a salon mirror, once it is already done.
Half Turn
Profile round to the front, and held there.
Full Turnaround
All the way round, so you meet the back of the cut before the salon does.
Three-Quarter
Round to the portrait angle, and how the fringe sits when she moves.
The half of a haircut nobody shows you.
Braids, an undercut, the graduation at the back of a bob — you spend the whole appointment looking at the front, and meet the rest of it in a hand mirror at the end. Turn the look around before you commit to it.
- Three-Quarter
- Left Profile
- Right Profile
- Side to Side
- Chin Lift
- Over the Shoulder
- Hair Toss
- Shake Out
- Hands Through
- Breeze
- and 12 more
Try the version you would never dare book.
A cut, a colour and a lip come back as one face rather than three separate edits — so you are looking at a person, not a swatch. Take it further than you would in real life. Undo it. Try it again three shades lighter.
Hold it up against yourself
Put the new one beside the photo you started from. That is usually the moment you know.
Nothing here is permanent
Step back through everything you tried, as far as you like. The only version you have to live with is the one you choose.
Keep the ones you love
They wait in your gallery for the day you finally pick up the phone and book it.
Walk in and point at it.
You have had this conversation before. The photo on your phone, the words that do not quite land, the cut that comes out almost right. Hand your phone across the counter with the look already on your own face, and there is nothing left to explain.
For salons
The other side of the chair.
The consultation is where the appointment is won or lost. Someone shows you a photo of a stranger’s head and you spend ten minutes translating it into a cut you both think you agreed on. Keep Veyra on the iPad at your station, take one photo, and put the look on their face while they are still in the gown.
- Agree on it before you cut
- They see the length, the fringe and the weight it takes out. Nobody has to guess what “a bit shorter” meant.
- Show the colour instead of describing it
- Balayage, a money piece, three levels lighter. Far easier to say yes to when it is already on their own hair.
- They leave with the reference
- The look you agreed on, named with the cut and the shade — in their camera roll, and in your notes for next time.
TodayWhat ifWhere they are now, and where they are thinking of going — side by side, on a screen big enough to decide from. Same app, same vocabulary. Talk to us about your salon.
Room to decide.
On an iPad the photograph is the size of a real face, and half the book fits beside it at once — skin, eyes, lips, brows and lashes together, instead of one drawer at a time. Big enough to judge from, and big enough to turn around and show someone.
Your face stays yours.
Your photo does one job: making the looks you ask for. It is never shared, never shown to anyone else, and never used to train anything. Delete a look and it is gone.